And here writes the one woman in all the world—outside of Charmian—for the cruise: “If you have not succeeded in getting a cook I would like very much to take the trip in that capacity. I am a woman of fifty, healthy and capable, and can do the work for the small company that compose the crew of the Snark. I am a very good cook and a very good sailor and something of a traveller, and the length of the voyage, if of ten years’ duration, would suit me better than one. References, etc.” Nevertheless, he sought society; for on Sunday, when the ladies Rochefeuille, Monsieur de Houppeville and the new habitues, Onfroy, the chemist, Monsieur Varin and Captain Mathieu, dropped in for their game of cards, he struck the window-panes with his wings and made such a racket that it was impossible to talk.!

Some women passed through the yard with a basket of wet clothes. A limited vocabulary means that each word shall be overworked. Thus, fella, in bêche de mer, means all that piecee does and quite a bit more, and is used continually in every possible connection. Another overworked word is belong. Nothing stands alone. Everything is related. The thing desired is indicated by its relationship with other things. A primitive vocabulary means primitive expression, thus, the continuance of rain is expressed as rain he stop. Sun he come up cannot possibly be misunderstood, while the phrase-structure itself can be used without mental exertion in ten thousand different ways, as, for instance, a native who desires to tell you that there are fish in the water and who says fish he stop. It was while trading on Ysabel island that I learned the excellence of this usage. I wanted two or three pairs of the large clam-shells (measuring three feet across), but I did not want the meat inside. Also, I wanted the meat of some of the smaller clams to make a chowder. My instruction to the natives finally ripened into the following “You fella bring me fella big fella clam—kai-kai he no stop, he walk about. You fella bring me fella small fella clam—kai-kai he stop.”

As I write these lines I lift my eyes and look seaward. I am on the beach of Waikiki on the island of Oahu. Far, in the azure sky, the trade-wind clouds drift low over the blue-green turquoise of the deep sea. Nearer, the sea is emerald and light olive-green. Then comes the reef, where the water is all slaty purple flecked with red. Still nearer are brighter greens and tans, lying in alternate stripes and showing where sandbeds lie between the living coral banks. Through and over and out of these wonderful colours tumbles and thunders a magnificent surf. As I say, I lift my eyes to all this, and through the white crest of a breaker suddenly appears a dark figure, erect, a man-fish or a sea-god, on the very forward face of the crest where the top falls over and down, driving in toward shore, buried to his loins in smoking spray, caught up by the sea and flung landward, bodily, a quarter of a mile. It is a Kanaka on a surf-board. And I know that when I have finished these lines I shall be out in that riot of colour and pounding surf, trying to bit those breakers even as he, and failing as he never failed, but living life as the best of us may live it. And the picture of that coloured sea and that flying sea-god Kanaka becomes another reason for the young man to go west, and farther west, beyond the Baths of Sunset, and still west till he arrives home again. Her head fell forward again, and from time to time, mechanically, she toyed with the long knitting-needles on the work-table. Again alas and alack! The Correct Magnetic Course was not the Compass Course. There was another sly little devil lying in wait to trip me up and land me smashing on the reefs of Vatu Leile. This little devil went by the name of Deviation. I read: